Video editing has been one of my biggest passions for as long as I can remember. It has been part of my life since my family got our first laptop — I was around 10 years old — and that moment quietly shaped everything that followed. I started editing in Sony Vegas Pro, and it became my main tool for many years, a space where curiosity slowly turned into skill and identity.
I began small: filming music videos with my toys in my room or making fan-edits of pop celebrities. Over time, this grew into producing more serious things: visual content to represent my music, creating video projects for school and university, and later editing content for various workplaces. Wherever I was, I somehow became “the video person” — the one people turned to when something needed to be filmed or edited.
Here you can see some of the lyric videos created for my own music:
Social Media Manager / Content Creator:
Alongside my expressive projects, my college years also introduced me to a more structured and formal side of video production. I worked as a Content Creator for the college for a year and a half, producing interviews, promotional videos, advertisements, and various institutional projects. This experience strengthened my ability to adapt creatively within clear frameworks, deadlines, and communication goals — without losing a sense of visual clarity and intention.
In my current role as a Social Media Manager in Aarhus, Denmark, at UNIQ Vintage & Trend Second Hand Shop, I produce all visual media and print content for the brand. Short-form video content such as TikToks and Reels plays a key role in communicating UNIQ’s energy, values, and personality. My work combines creativity with strategic thinking, helping shape and strengthen the shop’s visual identity across posters, graphics, and video formats.
The goal was simple: mix fashion, comedy, and fun. It became a playful space to shape UNIQ’s visual style — from outfit-focused Reels to talking-head clips and gen-z-focused TikToks.
Check out more UNIQ videos by me on their socials:
Honourable mentions:
“PROJECTION: Hear It”
One of my most favourite projects is “PROJECTION: Hear It”, created together with my close friend Gabija as a final college project.
This project has a special place in my heart because it was deeply human at every stage — from the first idea to the final edit. Together with Gabija, I developed the concept, visual direction, and structure, knowing we were working with real stories and real vulnerability of people. Filming the interviews and gathering first-hand experiences required trust, patience, and responsibility, as each participant shared personal reflections on identity, belonging, family, and growing up. Listening closely and creating space for these voices became just as important as the technical process itself.
Bringing all of this material together into a cohesive 35-minute video was both challenging and deeply rewarding. Shaping raw recordings of the interviews into a meaningful narrative involved careful editing — always with the intention of supporting the stories rather than overpowering them. The process taught me how powerful it can be to combine research, documentation, and creative expression into one form. More than just a video project, “PROJECTION: HEAR IT” became a journey of learning, reflection, and reconnection, making it a personally transformative experience that I continue to carry with me.
“The Loydy Goga Show”
If you made it here – you came to the juiciest part of the whole Videography page. One of my earliest and most nostalgic projects dates back almost ten years ago: a 2D animated comedy series called “The Loydy Goga Show.” It was a satirical take on pop culture at the time, featuring caricature characters inspired by pop divas such as Lady Gaga, Madonna, Katy Perry, Britney Spears, and many others.
This project means a lot to me because it was created during a time when YouTube felt driven by passion rather than algorithms or monetization. The show started as a small idea and eventually grew into an international online team — writers, digital artists, and community managers — all collaborating remotely, never having met in person, with me coordinating and managing the project.
Eventually, we decided to close the show as life took us in different directions and pop culture itself began to shift. Still, the project remains very close to my heart, and from time to time I return to it, creating small nostalgic videos for longtime followers. Here is one of the more recent pieces and two of my favourite episodes: